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You've selected:
Organ and Orchestra
ORCHESTRA - BAND
Sheetmusic to print
702 sheet music found
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701
Sacred Prelude No. 1 for Organ and Orchestra
Sacred Prelude No. 1 for Organ and Orchestra
#
Chamber Orchestra
#
INTERMEDIATE
#
James Michael Stevens
#
James Michael Stevens
#
Sacred Prelude No. 1 for Organ
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.572670 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Graduation,Sacred,Standa...
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Chamber Orchestra - Level 3 - SKU: A0.572670 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Graduation,Sacred,Standards,Wedding. Score and parts. 29 pages. James M Stevens Music ASCAP #3877747. Published by James M Stevens Music ASCAP (A0.572670). This is an original composition for Organ and Orchestra with the orchestra parts written around Stevens' bestselling organ solo, Sacred Prelude No. 1 for Organ. Contains full conductor score, original organ solo, and parts. Fl 1, 2, Oboe, Trp 1, 2, Tbone, tuba, organ, timpani, violin 1, 2, viola, cello. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. The MP3 clip is a midi reduction while the YouTube is from a performance at Welch College on Nov. 30, 2018. https://youtu.be/7Cu1t1J1MOI
$39.99 ≈
37.31€
Canon in D Major for 2 Trumpets, Organ and Orchestra
Canon in D Major for 2 Trumpets, Organ and Orchestra
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Pachelbel
#
Giuseppe Galante
#
Canon in D Major for 2 Trumpet
#
Giuseppe Galante
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.802988 Composed by Johann Pachelbel. Arranged by Giuseppe Galante. Baroque,Wedding. Score and parts. 32 pages. Giu...
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Chamber Orchestra - Level 4 - SKU: A0.802988 Composed by Johann Pachelbel. Arranged by Giuseppe Galante. Baroque,Wedding. Score and parts. 32 pages. Giuseppe Galante #3011431. Published by Giuseppe Galante (A0.802988). Johann Pachelbel: Canon in D Major for 2 Trumpets, Organ and Orchestra Arranged by Giuseppe GalanteFlexible arrangement: may be performed with just 2 Trumpets and Organ or full/partial Orchestra and Organ.You can listen to a recording of this arrangement on You Tube: https://www.youtube.com/watch?v=XdioB_68udE
$45.00 ≈
41.99€
Grand Choeur Dialogue
Grand Choeur Dialogue
#
Organ and Orchestra
#
ADVANCED
#
Classical
#
Eugene Gigout
#
Tim Olt
#
Grand Choeur Dialogue
#
Olt Music
#
SheetMusicPlus
Organ, Full Orchestra, Full Orchestra with Solo Organ - Advanced - Composed by Eugene Gigout (1844-1925). Arranged by Tim Olt. Romantic Period. Score,...
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Organ, Full Orchestra, Full Orchestra with Solo Organ - Advanced - Composed by Eugene Gigout (1844-1925). Arranged by Tim Olt. Romantic Period. Score, Set of Parts. 56 pages. Published by Olt Music
This work was originally for organ alone, but has gained popularity as an antiphonal work for brass and organ. This setting takes that one further, utilizing the full orchestra juxtapositioned with the organ for a true tour-de-force. This will blow the audience out of their seats!
$100.00 ≈
93.30€
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
#
Chamber Orchestra
#
ADVANCED
#
Contemporary
#
Thierry Pélicant
#
Thierry Pélicant: Concerto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Pub...
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Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95 ≈
27.94€
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Thierry Pélicant: Concerto for contrabass and orchestra, score only
#
Orchestra
#
ADVANCED
#
Thierry Pélicant
#
Thierry Pélicant: Concerto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik M...
(+)
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95 ≈
36.34€
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
#
Orchestra
#
ADVANCED
#
Thierry Pélicant
#
Thierry Pélicant: Concerto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Mu...
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Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95 ≈
27.94€
Australia Our Land - Orchestra with SATB Choir and Piano
Australia Our Land - Orchestra with SATB Choir and Piano
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Orchestra
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INTERMEDIATE
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Brendan James Elliget NotePerf
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Brendan James Elliget MAGA 537
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Australia Our Land - Orchestra
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Ellige...
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Full Orchestra - Level 3 - SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Classical,Contemporary,Patriotic. Score and parts. 41 pages. BJE Music #638998. Published by BJE Music (A0.1033685). The words for this song were written as a poem by my late mother-in-law Olivia Morgan (94) about the love of her adopted country Australia. She originally came from her ancestral home in England when she was 14. She spent her early years in Australia on a cattle station. Many years later she wrote a poem. Olivia asked me to set her poem to music, which I did in 1990 in the style of an anthem. It has since been performed by the local symphony orchestra and full choir. This setting is for SATB Choir and Orchestra with or without piano accompaniment. The MP3 was recorded with NotePerformer… Grade = 3 Duration = 2:35 mins Full lyrics: Australia Our Land Australia great and fair Contained in azure sea Her beauty lies 'neath southern skies Enchanted wide and free From oceans pounded shore Through outback's silent space O'er desert sands and city strands She shows her varied face. Where high the eagle flies And mighty rivers run There rolling plains of golden grain Reflect the west'ring sun In bushland's shaded scene By mountain's dreaming haze There bird-land calls cascading falls Combine their songs of praise. Our country's bounteous gifts Extend from shore to shore In history's place, Her pride and grace Will live forever more This land that keeps our heart Afar though we may roam On land or sea Yet still to be Australia our dear home. (Repeat last two lines) Sung by Christine Neaves (Daughter of Brendan and Glenys Elliget) Words by Olivia Morgan (Mother of Glenys Elliget) Music by Brendan Elliget Copyright © 1996 BJE Music You can listen to the Vocal version at: https://www.bjemusic.com/store/p149/Australia%2C_Our_Land_-_SATB_Choir_or_Solo_Voice_with_Piano_PDF.html.
$28.00 ≈
26.12€
Holy Holy Holy - NICAEA - Hymn Setting for Congregation and Orchestra
Holy Holy Holy - NICAEA - Hymn Setting for Congregation and Orchestra
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Chamber Orchestra
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INTERMEDIATE
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Sacred music
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John Bacchus Dykes
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Andrew Duncan
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Holy Holy Holy - NICAEA - Hymn
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Andrew Duncan
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.764316 Composed by John Bacchus Dykes. Arranged by Andrew Duncan. Christian,Praise & Worship,Sacred. Score and par...
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Chamber Orchestra - Level 3 - SKU: A0.764316 Composed by John Bacchus Dykes. Arranged by Andrew Duncan. Christian,Praise & Worship,Sacred. Score and parts. 31 pages. Andrew Duncan #3222163. Published by Andrew Duncan (A0.764316). The traditional hymn NICAEA - Holy Holy Holy is arranged for congregation, orchestra, and worship band (piano and/or guitar). Intended for use in worship services, this arrangement can also be presented by choir and orchestra as an anthem. Stanza 1 is in B-flat major, stanzas 2-3 are in C, and stanza 4 is in D major. Orchestra instrumentation: 2 flutes, 1 oboe, 2 B-flat clarinets, 2 french horns, 2 trumpets, 2 trombones, 1 tuba, violin 1 and 2, viola, cello, bass, timpani and percussion (lead sheet for band: piano, guitars, bass, drums, organ, vocalists/choir/congregation).PDF file includes the full score, individual parts for all instruments, and a lead sheet.Written for worship services at Cedar Springs Presbyterian Church in Knoxville, Tennessee.
$39.99 ≈
37.31€
How Firm A Foundation - Blended Worship - Band, Orchestra, and Congregation
How Firm A Foundation - Blended Worship - Band, Orchestra, and Congregation
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Chamber Orchestra
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Sacred music
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Andrew Duncan
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How Firm A Foundation - Blende
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Andrew Duncan
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SheetMusicPlus
Chamber Orchestra - SKU: A0.764357 Arranged by Andrew Duncan. Christian,Praise & Worship,Sacred. Score and parts. 44 pages. Andrew Duncan #4896133. Publ...
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Chamber Orchestra - SKU: A0.764357 Arranged by Andrew Duncan. Christian,Praise & Worship,Sacred. Score and parts. 44 pages. Andrew Duncan #4896133. Published by Andrew Duncan (A0.764357). This exciting setting of How Firm A Foundation is for congregational singing use in worship with orchestra, band, and congregation. Key: Eb-FInstrumentation: 2120/2221 percussion, organ, and strings (2 flutes, 1 oboe, 2 clarinets, 2 french horns, 2 trumpets, 2 trombones, 1 tuba, percussion, lead, rhythm, violin 1 and 2, viola, cello, bass).
$40.00 ≈
37.32€
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
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String Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Pub...
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String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.” Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture” texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament” theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.
$64.95 ≈
60.60€
Carson Cooman: Concerto for Portatif Organ and Strings, score only
Carson Cooman: Concerto for Portatif Organ and Strings, score only
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String Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Pub...
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String Orchestra - Level 5 - SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Publishing #3038895. Published by Musik Fabrik Music Publishing (A0.533700). Concerto for Portatif Organ and Strings (2006) was commissioned by the HarvardBaroque Chamber Orchestra and its director, Robert Mealy. The work is dedicatedto organist Nancy Granert, for whom the solo part was written. The work wascommissioned in celebration of the von Clemm Chamber Organ at The MemorialChurch, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts areexplored. In this piece, musical aspects of the Baroque organ concerto tradition(and Baroque style string playing) co-exist with more contemporary musicalelements. In particular, the directness of expression found in many Baroqueconcertante works is present throughout. Musical material is shared between themovements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or puttogether using whatever materials happen to be available.” Thus, the musicalmaterial for the movement is of varying characters; these elements are assembledtogether in ways that allow them to comment on and inform each other. Some ofthese musical elements include: a traditional “overture” texture, a Basse deTrompette texture (with an organ reed stop in the left hand) common in FrenchBaroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with arageful roar before quieting down to introduce its basic musical material – a simple“lament” theme in a folk-inflected style. This material is used for further explorations,building to passionate climaxes. Finally, the opening music returns, but this timewith a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, issprightly and energetic. The basic material is a set of Baroque and Classical-stylefigurations (with a few American gospel inflections thrown in), firmly grounded in Gmajor. After minor diversions, the original material continues to return and ends thework with unfettered joy.This item is the score only. The score and complete parts are available for sale as another item.
$25.95 ≈
24.21€
Adeste Fideles for soprano, tenore and orchestra
Adeste Fideles for soprano, tenore and orchestra
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Orchestra
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EASY
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J
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Stefano Pagotto
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Adeste Fideles for soprano, te
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Stefano Pagotto
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.865286 Composed by J. F. Wade. Arranged by Stefano Pagotto. Christian,Christmas,Sacred,Standards,World. Score and par...
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Full Orchestra - Level 2 - SKU: A0.865286 Composed by J. F. Wade. Arranged by Stefano Pagotto. Christian,Christmas,Sacred,Standards,World. Score and parts. 24 pages. Stefano Pagotto #3411669. Published by Stefano Pagotto (A0.865286). Arrangement for soprano, tenore and orchestra of the famous Christmas Song. Organic: flute, oboe, english horn, 2 clarinets, bassoon, horn in F, 2 trumpets, glockenspiel, organ and strings
$25.00 ≈
23.33€
Mass for choir and orchestra (Score and parts)
Mass for choir and orchestra (Score and parts)
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Orchestra
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INTERMEDIATE/ADVANCED
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David Warin Solomons
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Mass for choir and orchestra
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David Warin Solomons
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.576914 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Score and parts. 70 pages. David...
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Full Orchestra - Level 4 - SKU: A0.576914 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Score and parts. 70 pages. David Warin Solomons #519335. Published by David Warin Solomons (A0.576914). Setting of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei for SATB choir and full orchestra based on my mass for men's voices and organ (which can be found on: http://www.dwsolo.com/serif/massformensvoices.html ) The style is lyrical and neo-classical with a few hints of oriental modes (full of Eastern promise as a member of the congregation said when the original version was performed in Manchester). The sound sample is an electronic preview but a professional live recording is expected soon. The pdf file contains score and parts (with the Choir part as a complete SATB score). The score on its own is also available on this site. The optional orchestral finale Ite Missa Est and the original versions for men's voices and organ and for sopranos, altos, men's voices and organ are also available on this site.
$25.00 ≈
23.33€
Mass for choir and orchestra (Score only)
Mass for choir and orchestra (Score only)
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Orchestra
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INTERMEDIATE/ADVANCED
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David Warin Solomons
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Mass for choir and orchestra
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David Warin Solomons
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.576913 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Score and parts. 20 pages. David...
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Full Orchestra - Level 4 - SKU: A0.576913 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Score and parts. 20 pages. David Warin Solomons #519333. Published by David Warin Solomons (A0.576913). Setting of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei for SATB choir and full orchestra based on my mass for men's voices and organ (which can be found on: http://www.dwsolo.com/serif/massformensvoices.html ) The style is lyrical and neo-classical with a few hints of oriental modes (full of Eastern promise as a member of the congregation said when the original version was performed in Manchester). The sound sample is an electronic preview but a professional live recording is expected soon. The pdf file contains just the score. The score with parts is also available on this site. The optional orchestral finale Ite Missa Est and the original versions for men's voices and organ and for sopranos, altos, men's voices and organ are also available on this site.
$10.00 ≈
9.33€
"Praise to the Lord" (Lobe den Herren) from CANTATA BWV 120a for Chorus and Orchestra
"Praise to the Lord" (Lobe den Herren) from CANTATA BWV 120a for Chorus and Orchestra
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Orchestra
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INTERMEDIATE
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Paul K Ferington
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Paul K Ferington
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"Praise to the Lord"
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Paul K Ferington
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1411846 By Paul K Ferington. By Johann Sebastian Bach. Arranged by Paul K Ferington. Baroque,Christian,Classical,Prai...
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Full Orchestra - Level 3 - SKU: A0.1411846 By Paul K Ferington. By Johann Sebastian Bach. Arranged by Paul K Ferington. Baroque,Christian,Classical,Praise & Worship. 27 pages. Paul K Ferington #994075. Published by Paul K Ferington (A0.1411846). A festive 90 sec. setting of the 8th movement (Chorale) from Bach's 1729 CANTATA BWV 120a for Chorus and Orchestra (and optional Organ), suitable as Worship Service opening Voluntary/Prelude or concluding Choral Benedition.
$15.95 ≈
14.88€
Souvenier éolien --- for organ and string orchestra --- FULL SCORE AND PARTS JCM 2009-2021
Souvenier éolien --- for organ and string orchestra --- FULL SCORE AND PARTS JCM 2009-2021
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String Orchestra
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Contemporary
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Jean-Christophe Masson
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Souvenier éolien --- for or
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Jean-Christophe Masson
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SheetMusicPlus
String Orchestra - SKU: A0.878767 Composed by Jean-Christophe Masson. Contemporary. Score and parts. 92 pages. Jean-Christophe Masson #6307107. Publishe...
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String Orchestra - SKU: A0.878767 Composed by Jean-Christophe Masson. Contemporary. Score and parts. 92 pages. Jean-Christophe Masson #6307107. Published by Jean-Christophe Masson (A0.878767). 1st mouvement : strings only, 2nd mouvement : organ and strings Professional level Duration : 14-15 minutes
$25.00 ≈
23.33€
Unto Us A Boy Is Born - Concert Band Orchestra - Score and Parts PDF
Unto Us A Boy Is Born - Concert Band Orchestra - Score and Parts PDF
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Concert band
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INTERMEDIATE
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Christmas
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From Finnish songbook Piae Can
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Brendan Elliget MAGA 537
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Unto Us A Boy Is Born - Concer
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750840 Composed by From Finnish songbook Piae Cantiones (1582 ). Arranged by Brendan Elliget MAGA 537. Christmas. Score...
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Concert Band - Level 3 - SKU: A0.750840 Composed by From Finnish songbook Piae Cantiones (1582 ). Arranged by Brendan Elliget MAGA 537. Christmas. Score and parts. 46 pages. BJE Music #3867931. Published by BJE Music (A0.750840). Puer nobis nascitur, usually translated as Unto Us is Born a Son, is a medieval Christmas carol found in a number of manuscript sources - the 14th-century German Moosburg Gradual and a 15th-century Trier manuscript. The song was first published in the 1582 Finnish songbook Piae Cantiones, a volume of 74 medieval songs with Latin texts… The carol became popular as a processional hymn following a translation by George Ratcliffe Woodward (1859-1934) first published in 1902. Percy Dearmer also translated the hymn for inclusion in the 1928 Oxford Book of Carols as Unto Us a Boy is Born. Both translations are commonly used. [Wikipedia] This is the version of the words used here… Unto us a boy is born, King of all creation: Cradled in a stall was He, The Lord of every nation, The Lord of every nation. This arrangement is for both Concert Band and Orchestra – both instrumentations can be used or various combinations of each. There are both Vocal Lead Sheet and optional Organ/Piano part. The MP3 was recorded with NotePerformer 3. Grade = 3 Duration = 2:25 mins.
$25.00 ≈
23.33€
Elegy on "In Pardisum - Version for Organ & String Orchestra
Elegy on "In Pardisum - Version for Organ & String Orchestra
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Stanley M Hoffman
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Stanley M Hoffman
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Elegy on "In Pardisum - Versio
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stanleymhoffman.com
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SheetMusicPlus
Strings Organ - Level 3 - SKU: A0.1319642 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical. 26 pages. Stanleymhoffma...
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Strings Organ - Level 3 - SKU: A0.1319642 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical. 26 pages. Stanleymhoffman.com #908194. Published by stanleymhoffman.com (A0.1319642). A great piece to program as a service prelude when doing the small version of the Duruflé Requiem (which is just strings, and a couple other solo instruments as optional). It is a relevant match since the In Paradisum has the Requiem/burial connections. Music: © Copyright 2018, 2023 by Stanley M. Hoffman. www.stanleymhoffman(dot)com All rights reserved.#music #video #musicvideo #scrollingscore #organ #pipeorgan #strings #stringorchestra #arrangements.
$13.00 ≈
12.13€
Sing, Sing, Sing [Chicago + big band] (full score & set of parts)
Sing, Sing, Sing [Chicago + big band] (full score & set of parts)
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Big band
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ADVANCED
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Rock
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Chicago
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Patrick Sheehan
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Sing, Sing, Sing [Chicago + bi
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SheetMusicPlus
Rock Band - Advanced - By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 87 pages. Published by Patrick Sheehan ...
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Rock Band - Advanced - By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 87 pages. Published by Patrick Sheehan
Transcribed as recordedby CHICAGO for their album CHICAGO ?NIGHT AND DAY? (big band album) released in1995.
INSTRUMENTATION:Lead Vocal I, Lead Vocal II, Lead Vocal III, Background Vocal I, BackgroundVocal II, BackgroundVocal III, Background Vocal IV, Background Vocal V, Tenor Saxophone (Bb),Trumpet (Bb), Trombone, Grand Piano, Hammond B-3 Organ, Solo Flamenco Guitar,Acoustic Guitar II, Bass, Shaker, Whistle, Sleigh Bells, BongoDrums, Conga Drums, Drumset.
*** Score is 8.5? x 14? ?legal? sizepaper, parts are standard 8.5?x11? size.
ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
46.65€
Sonata No. 2 for Organ and Strings (Score)
Sonata No. 2 for Organ and Strings (Score)
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Daniel Pinkham
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Sonata No. 2 for Organ and Str
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Organ and string quartet (contrabass ad libitum) or string orchestra (Includes score and reproducible parts.) - SKU: MQ.1422-E Composed by Daniel Pinkha...
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Organ and string quartet (contrabass ad libitum) or string orchestra (Includes score and reproducible parts.) - SKU: MQ.1422-E Composed by Daniel Pinkham. Score & instrument parts. 48 pages. E. C. Schirmer Music Company - Digital #1422-E. Published by E. C. Schirmer Music Company - Digital (MQ.1422-E).
$35.00 ≈
32.66€
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Organ and Orchestra
